See saw seen Greenleas
September 24, 2009
Beurfin
September 10, 2009
Two sisters? needlework type
August 30, 2009
To finish the series on needle-crafted type with a sunday feeling, here are two pieces from the Ecole Moyenne de l’Etat in Verviers. Made by two girls with the same aristocratic surname von Hagen. Sisters I presume, but I have no information on the makers and the date. Looking at the detail and degree of sophistication, this can hardly be labeled as folk art. It is hard school work.
Berthe made some beautiful monograms with her initials, but got the Y mirrored. Jenny used a symmetric Y. I am not sure which piece I like most. The last picture shows the most adventurous try: a 9 plus!
Analog pixel art 5: faience?
August 23, 2009
Analog pixel art 4: another stitched alphabet
August 22, 2009
Another great exercise, dated 1921. While she has all the other N’s right, Ghislaine mirrored the one in her own name. I like this piece a lot. It looks very even at first sight, while looking closer reveals some patching up for miscalculation: notice how the last letter of the name didn’t fit, and simply drops. It helps to spread colour where the dot after ‘Salzinnes’ would have left a blank space if left on its own. The 1921 sits close, but doesn’t mess up the Z. And I fancy the R trying to leave the grid. Is it mimicking the Q’s tail?
Bijloke bier
August 18, 2009
For this beer label, I adapted my Peghole Fontstruct to hang from the top instead of standing on a baseline. A special J was needed too… The backdrop was done in Illustrator.
analog pixel art 2
August 17, 2009
analog pixel art
August 16, 2009
When I was a kid, we had no computers.
But did we have pixel art! It looked like this.
Pixel art is as old as the grid. Looking for old examples of the use of a grid, two disciplines come to mind: mosaic and weaving.

During a trip through Devon last month I stumbled upon some fine folk art. While entering a church, my eye was caught by colourful packages hanging between the benches like christmas presents. People bring their own cushion to church to make the praying on wooden benches easier on the knees. While in other rural churches those cushions were often covered by uniformous crotchetings (as if every grandmother had been given the same obligatory pattern), the needlework in St. Pancras in Widecombe-in-the-Moor was far more authentic and varied. Beautiful colour schemes and patterns and the inevitable cross stitched alphabets… Say hello to Josie.



































